The thicker wire loops and swirls around the heart of the structure, while smaller, shaggy-headed knots of the thinner-gauged wire peek out from various crevices like diaphanous sea anemones. Twined and tied around several bundles of sticks is a vivid array of materials: woolen yarns, fabric strips and plastic tape in a dazzling range of colors, along with green gardening wire of different gauges. Visitors to “Judith Scott: Bound & Unbound,” currently at the Brooklyn Museum of Art, are confronted early with one of the artist’s first masterpieces, Untitled (1988), a substantial, architectural sculpture that has been hung on the wall, as in relief. Judith Scott: Bound & Unbound at the Brooklyn Museum of Artīrooklyn, 7 Installation view of “Judith Scott Bound and Unbound,” 2015.
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